Concert Program

OneMusic International Ensemble:
Holiday Celebration

Salmagundi Club

December 17 & 18, 2021 at 7:30 pm

Yibin Li - violin

Philippe Muller - cello

Pierre-Henri Xuereb - viola

Chung-Hsi Hsieh - piano

Piano Trio "Serenade Lointaine"

George Enescu (1881-1955)

String Trio "Aubade"

George Enescu

Concerto for Four Violins in B Minor

Antonio Vivaldi (1678-1741)

Featuring OneMusic Young Artists & special guest RuiXin Niu

I. Allegro

II. Largo - Larghetto - Largo

III. Allegro

— Intermission —

Piano Quartet in A Major, Op.30

Ernest Chausson (1855-1899)

I. Anime

II. Tres calme

III. Simple et sans hate

IV. Anime

The Artists

Yibin Li

Yibin Li was born in a small city in China near the Gobi Desert called Jiuquan and began playing the violin under the guidance of her father at the age of six. Just six years later, she left home to study at the Shanghai Conservatory, where she remained through college. Upon her graduation, she was appointed to the violin faculty where she taught for six years as a young member of the tenured faculty. At 26, she felt the need to continue her studies in New York at Juilliard and Mannes where she earned 2 additional graduate degrees. Her teachers have included Lewis Kaplan, Seymour Lipkin, Earl Carlyss, Peiwen Yuan and Xiaolong Liu.

Ms. Li has performed as a soloist with major orchestras in China and the USA including the Beijing National Symphony Orchestra, the Shanghai Symphony Orchestra, Taipei Symphony, the Gaoxiong Symphony Orchestra, and the San Diego and Syracuse Symphonies. Her New York recital debut at Weill Recital Hall took place in 2001, and she performed solo recitals, in various chamber music ensembles, and as first violinist of the Iris Quartet at venues throughout the world including at Alice Tully, Carnegie and Merkin Halls and in more than 20 cities in China, France, Italy and the USA.

Ms. Li performs and teaches regularly at summer music festivals including the Bowdoin International Music Festival and Bach Virtuoso Festival, ME., the LaSalle Music Festival, France, Sesto Rocchi Chamber Music Festival, Italy and the Lake Lugano Chamber Music Festival, Switzerland.

Yibin Li is currently on the faculties of the Mannes School of Music, Juilliard’s Pre-college Division and as visiting professor in China at the Xian Conservatory and Beijing Central University for Normal Studies.

Philippe Muller

Born in Alsace, Philippe Muller was raised in both the French and German musical traditions that characterize that province. His early experiences opened his mind to varying cultures and lead him to a multi-faceted career. He performs and has recorded a wide range of repertoire, from the Bach Suites, through the music of living composers.

In 1970, Mr. Muller founded a Piano Trio with pianist Jacques Rouvier and Jean- Jacques Kantorow, violin, which was widely known to be one of Europe’s most venerated chamber music ensembles. He worked closely with Pierre Boulez’ Ensemble Intercontemporain, for seven years, giving him an understanding of and an affinity for the music of our time. He continues to be active in commissioning new cello works and premiers of new music and performs frequently as soloist and in various chamber music ensembles at festivals in Europe, the United States, Canada, Latin America, Japan, Korea, Australia and New Zealand.

Philippe Muller’s teaching career is legendary. He succeeded his mentor André Navarra as cello teacher at the Conservatoire de Paris in 1979, continues his teaching legacy today here in New York, at the Manhattan School of Music. Many cellists from his studio have gone on to major careers as soloists including Xavier Phillips and Gautier Capuçon. He travels often giving master-classes in the top conservatories across the globe and has spent twenty years teaching at the Academy of French Music in Kyoto, Japan.

Philippe Muller frequently serves on the juries of the major international cello competitions such as the Tchaikovsky in Moscow, Paulo in Helsinki and Rostropovitch in Paris.

Pierre-Henri Xuereb

At age 13, Pierre Xuereb won first prize in viola from the Conservatoire in Avignon; and he received first prize in viola again, at 16, from the CNSM in Paris. Mr. Xuereb studied at The Juilliard School and Boston University, where his teachers were Walter Trampler and Lillian Fuchs from the Juilliard Quartet. At 19, he went on to become  solo viola of the Ensemble Intercontemporain in Paris, conducted by Pierre Boulez. In the winter of 1981, he was one of the last students of William Primrose in Provo, Utah.

Since then his international career has brought him to many concert halls throughout the world: Lincoln Center, Wigmore Hall, Théatre des Champs Elysées, Teatro La Scala(Milano), Gulbenkian Foundation (Lisbon), Luzern Festival and others. He has performed as a soloist with the Ensemble Instrumental de France, Ensemble Intercontemporain, Ensemble Alternance, Ensemble Contrechamps, Orchestre Symphonique de Tel Aviv, Israel Sinfonietta, Orchestre OLRAP, Orchestre Paca, Caracas Chamber Orchestra, Victoria Symphony (Canada), Prussian Chamber Orchestra, and Dusan Skovran Orchestra (Belgrade). 

Mr. Xuereb has given numerous world premieres of work by composers K.Stockhausen, Klaus Huber, Philippe Hersant, Jean Michel Damase, Bruno Mantovani, Philippe Schoeller, Philippe Manoury, Heinz Holliger, Alessandro Solbiati, Joseph Vella and Edith Lejet. He has recorded over 70 records and has recently recorded, under the direction of the composer, Vladimir Cosma’s Concerto for viola, which was written for him. He is regularly invited to give master classes in Beijing, Kyoto, Gwangju (Korea), Tignes (Musicalp), Les Arcs, Fontainebleau, Berkshires (USA), Novisad, Malta, and Domaine Forget (Canada). As a chamber musician he has been regularly invited to Festivals, among them Prades, Cheltenham, Miami, Gex, Crans Montana, and Kuhmo.

Mr. Xuereb teaches viola in the Conservatoire National Supérieur de Musique in Paris, Conservatoire Royal de Musique de Liège and the CRD in Gennevilliers. His viola is made by Friedrich Alber (Montpellier). He also plays the viola d’amore and appears regularly in concerts and recordings with his instrument built by Michiel de Hoog in 1995 (copy of a Stradivarius).

Chung-Hsi Hsieh

Pianist Chung-Hsi Hsieh is from Taiwan. He won top prizes in the Nena Wideman International Piano Competition, Taipei International Chopin Competition, Taiwan Concerto Competition, Corpus Christi Young Artists Competition, and Fischoff National Chamber Music Competition. He has appeared in renowned recital halls such as Carnegie Weill Recital Hall, Merkin Hall, Klavierhaus, and Steinway Hall, in New York City, as well as the National Recital Hall in Taiwan. As a chamber musician he often collaborates with the principles of Boston Symphony Orchestra, Berlin Deutsches Symphonie Orchester, San Diego Symphony Orchestra, and A Far Cry Chamber Orchestra. Mr. Hsieh has performed recitals in Boston, Los Angeles, Beijing, Shanghai and Shenyang.  He was a young artist at the Irving Gilmore International Keyboard Festival in Kalamazoo, MI, as well as Kneisel Hall Chamber Music Festival.  

After winning the top prize from Taiwan National Music Competition in 1991, he was awarded the opportunity to continue his musical studies in USA where he obtained his high school diploma from Interlochen Arts Academy, BM and MM from The Juilliard School, and DMA from Rutgers, The State University of New Jersey. His principle teachers were Victoria Mushkatkol, Seymour Lipkin, and Susan Starr.  During this time he also worked with Lynn Harrell, Lewis Kaplan, Arnold Steinhardt, Jane Coop, and Douglas Lundeen.  

Mr. Hsieh started his musical training on the piano at age 4. He also learned violin, and Erhu, a traditional Chinese instrument when he entered the music training class at age 9. At a young age he already showed his musical talent, as he frequently won competitions on piano and violin, and he started performing as soloist and conductor, leading the school symphony orchestra, Chinese instrument orchestra and school choir to public performances. 

Currently he is a piano and music faculty at the Diller-Quaile School of Music.  Besides honing his craft and working with aspiring talents, Chung-Hsi also enjoys exploring culinary arts and fine wine around the world.

OneMusic Young Artists

Avery Chu

Avery is a high school freshman. She has been studying violin with Ms. Li for seven years, and she is also a member of the Chamber Music Center of New York. Besides playing violin, she likes to read, write, and bake cookies.

Elaine Qianru He

Elaine Qianru He is currently pursuing her Master’s degree at the Juilliard School under the tutelage of Catherine Cho and Lewis Kaplan. She has been invited to participate in the Music Academy of the West Music, where she served as Concertmaster under the baton of Nicholas McGegan, Juilliard Focus! Festival, and Tanglewood Music Festival. She is the 1st prize winner of the 2019 TMMC Young Artists Competition.

Liza Li Loube

Liza Li Loube has been involved in performance for as long as she can remember. She began playing violin at age 6, studying first with her mother Yibin Li; and since 2018 with Christophe Giovaninetti of Paris Conservatory. Along with her focus on Drama at LaGuardia High School for the Arts, she sustains a passion for music, with regular recitals and participation in music festivals in France and Italy. She maintains a lifelong interest in feminism, cats and banana pudding.

Emily Wei

Emily (Tiantian) Wei was born in China and moved to the United States in 2016. She started studying violin at the age of 5 and now is a 12th grade student. Emily was admitted to the New Jersey Youth Orchestra in 2017, and participated in NYSSSA Music Summer School with full scholarship in 2019. In 2020, Emily has performed as the first violin in the Isaac stern auditorium of Carnegie Hall with Great Neck North High School Symphony Orchestra. In the summer of 2021, Emily went to the Fete De L‘ Alto LaSalle Summer Festival (France) and had master classes with Christophe Giovaninetti. Emily Wei is currently studying with Yibin Li.  

Program Notes

George Enescu composed his beautiful Serenade Lointaine for piano trio when he was only 21 years old. Although composed in 1903, the piece was never published, with it only in recent years being found and explored by a dedicated Enescu trio. There is very little written about this trio, but we do know that the title of the piece shows Enescu’s stylings, with ‘Lointaine’ meaning ‘distant’ in French.

Aubade was completed in 1899, when George Enesco was about 18 years old. Aubade is generally regarded as a love song, sung in the morning as lovers apart.This lovely music certainly is romantic with the lower voices, the cello in particular performing the role of a strumming guitar.

Concerto for Four Violins and Cello in B Minor  In the early years of the eighteenth century, Vivaldi held the rather modest position of director of a conservatory for homeless girls in Venice, but his compositions were carrying his name throughout Europe. In 1711, he published a collection of twelve violin concertos under the title L’Estro armonico, translated variously as “The Spirit of Harmony”

Concerto for four violins and cello is part of a set of 12 concerti published together as his opus 3. The composer, who was himself a virtuoso violinist, wrote hundreds of concerti for the violin. This concerto was published early in his career, and it contributed to his international reputation. The B minor work eventually came into the hands of Johann Sebastian Bach, who at the time was a little-known court musician and composer in central Germany. Intrigued by the work and the way that Vivaldi had balanced his varying musical themes, Bach arranged the piece for four Harpsichord soloists and changed the key; the result is BWV 1065.


Chausson's Piano Quartet in A Major, Op.30 dates from 1897. The lovely opening movement, Animé, is warm and bright, sunny skies and well-being are conjured up. The second movement Très calme has a limpid, poetic quality. It is lyrical and gentle. Next comes a kind of intermezzo, Simple et sans hâte, essentially gentle and pleasant. The finale, Animê, opens in frenetic fashion, full of breathless anxiety. And here, Chausson shows he is still a bit under the influence of his old teacher Franck as themes from all of the preceding movements are given a recapitulation. There is no mistaking this work as a child of French impressionism. 

Ernest Chausson was born in Paris into a wealthy family. Although he received some musical training as a boy, a career in music was never envisaged by either his father or himself. He studied law and became a barrister but realized he had no interest in the law. After dabbling in writing and painting, he decided to study music and entered the Paris Conservatory in 1879 where he studied first with Jules Massenet and later Cesar Frank. His friend Vincent d'lndy introduced him to the music of Wagner. Scholars generally divide his work into three periods, early, middle and late. His very early works tend to show the influence of Massenet. In those which come later there is also the influence of Franck and Wagner.

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OneMusic Project acknowledges the generous support of the following individuals for their time, gifts, and financial support. With their help we are able to realize our mission of bringing great artists from Europe and the USA together to perform in our community!

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OneMusic Project is grateful for support from:

Veronique Brossier

Alexander Ommaya

Wei Family

Chu Family Foundation

James & Susan Aisenberg

Robert & Nina Kaufelt

Joseph Towbin

Dan Kainen & Karen Dorst

Individual Contributors:

Dhiraj Duraiswami

Ellen Oppenheim

Laura Periera

 Eric Sandell

Jeff Vock

Liza Loube